How to create a wide stereo-mixing

Your levels should be equal, allowing each moment to shine. All frequencies should be equally loud, and no frequency range should be too quiet. Compression should be used with care to give the track a sense of warmth and tightness, not as if it were made from solid concrete.

Stereo width is a component of mixing that is not discussed as often as compression and EQ. It refers to the way your sounds are positioned from the left to the right ear, including the space between them.

Stereo is two channels, left and right. Mono, on the other hand, is a single channel in which both ears hear the same information. Close your eyes and put on headphones to listen to a mono mix. It will be right around your nose. A wide stereo mix, on the other hand, will spread all around your head. It includes unique sounds above and below the nasal area, as well as frequencies that move from the front to the’s.

It’s hard to create a stereo mixdown to get that wide mix sound we hear from artists such as Flying Lotus or Flume. Strategic mixing expands your stereo image and makes your song immersive and huge.

Defining stereo imLet’s

LimLet’srLet’samine what makes up a Stereo image.

The first thing to consider is the width of your mix, which is how it moves from one speaker to another.

There is also depth, which can be achieved through spatial effects such as delay and reverberation.

Lastly, height refers to Tomix’s mTomix pixelssls and height they rIt’s.

It’s hard to add a stereo imager to your track and expect a wide mix. To achieve a deep and clean sound, you need to take into account each component of the stereo picture Do this if you want to create a wide mix. Many great songs, particularly from the past, were mixed in stereo. In modern times, your tracks will be played in cars and clubs, on 5.1-channel home audio systems, and the most advanced headphones.

A wide stereo mix will make your song sound more immersive, expansive, and impressive, both on high-fidelity systems and on the average listening device. This is especially true for electronic music. LetmmusicLetmusic’sow shows how you can get that sound.


It may seem like a no-brainer, but the key to expanding your mix is to use panning liberally. This is your first line of defense. Your mix will sound flat and muddy, so I don’t do tracks beyond the middle.

Try pushing the instruments out far into the stereo field as you work to create space. It could be as simple as panning the hi-hat to the right or the guitar to the left. This can also be subtle panning, such as moving a snare to the right or a synth to the left. You can be ambitious and push the sound to where you would imagine it in stereo.

You should note that some instruments sound better in mono. These include kick drums and bass instruments. Lead vocals are also good for mono (except when the chorus is played). Every time a kickdrum hits the right ear when you pan it, the mix will be thrown off like a seesaw. You can pan an instrument more freely if it has a low frequency, like something light, such as chimes, or shaIt’s.

It is important to balance your left and right channels. Don’t doubt that the tambourine is in your left ear and a loud lead guitar in your right. While a little asymmetry can be enjoyable, if you feel that one side of your stereo mix is more audible, it will make your mix sound off.

Imagine it as a call-and-response: you place one instrument in your left ear and then another in your right ear.

Spatial effects

Spatial Effects are time-based effects such as reverb or delay. Imagine yel “ing “e” lo! “”om yo” closet. After you have finished speaking, your voice completely dies. Imagine yelling in a cave. Your voice will reverberate throughout the cave.

Reverb and delay have the same effect on your music. The width knob is usually included in most reverb plugins. Plugins allow you to adjust the size of your reverb. By turning this knob to its maximum level, you can transform your lead vocals from being flat and dry into massive and sweeping.

Delay effects let you send audio signals from left to right, filling up more space within the mix. While delay is often thought of as an echoed sound, it can be used to create the impression of a doubled or wide single track.

If you set the delay time to 30ms, for example, the audio will be played in the left ear and then the right within 30ms. This is fast enough to prevent the human ear from hearing the echo. It will sound as if the sound is occurring in both the left and the right ear simultaneously.

Wide samples and MIDI InstrumenInstrumenyou’reyou’refor a wide mix, then look for MIDI and sample instruments that are pre-loaded with a lot of widths.

The Serum plugin fopluginlugin, plugin synths, and MIDI instruments spread throughout the stereo fits.

It starts with wide instruments, making a track that is narrow and wide and doesn’t have to sound big and immersive. Having some sounds in mono will help you achieve a balanced mix.

Stereo imager effects

It would be best to make your mix as wide and as deep as possible using panning, spatial effects EQing, and other more traditional mixing methods before you start using stereo-widening effects. Stereo images should only be used as a final touch.

However, they can play a vital role in giving your mix the extra width it needs. The Ozone Imager plugin is an isoluminant tool for adding depth and width to a mix. You can use these plugins opluginsginsl tracks or as mastering effects.

Most mastering engineers will increase the track width to make it feel bigger and more expansive. Many DAWs come with some built-in features,  such as Ableton’s Ableton’seton’sEffect, which lets you control stereo images.

Just be careful: Less is almost always better. You may find it tempting to turn the knob all the time, but you could inadvertently cause problems later. Speaking of cautions…

Some cautions

Many mixing engineers and producers are chasing that wide sound today, but it is important to keep in mind that you can go too far. Here are some things to keep in mind to balance your mix:

1. Mono is a great way to test your mix.

Every artist should do this. Most engineers will recommend that you start your mix mono. At the very least, test your mix mono several times during the mixing process.

2. A mix that is too wide can cause sounds to disappear

It is possible to mix out a sound.

If yoAbletonyoAbleton’se” on’s” p” uginpluginnplugin the stereo width to 400% or more, the frequencies in the audio signal start to disappear. You might hear silence if you play a track in mono. Yo,” can “or” nk up” s” ereo “mager plugiplugins1plugins. This might sound great in headphones, but you may not get the same effect on other devices.

3. Monophonic bass is It’s.

It is to keep your low end in the middle.

The majority of plugins use a plugin option to apply a mono high-pass filter to your track. This means you can choose to have all frequencies below 200Hz recorded in mono. This will keep your mix balanced and strong, with the low frequencies at their sweet spot. Imagine a large 808 being panned to your left ear and then listening through headphones. It would sound as if someone was pulling on your head every time the 808 struck.

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